SONG-WRITERS have been making music and romance synonymous for thousands of years. And three people in Granada’s Chelsea at Nine week provide excellent evidence that the two really go together.

Xavier Cugat and Abbe Lane have happily married for seven years. Tony Martin — here on his own while his wife, Cyd Charisse, rehearses for a new spectacular in America — is heading for his 12th wedding anniversary.

“You can say,” Xavier Cugat agreed, “that rhythm was responsible for our romance. I was looking for a vocalist and I saw Abbe in a Broadway show. She was everything I had in mind. That was nine ago and we have been together ever since”

Abbe was not quite 17 at the time, and they were married two years later. More than 30 years difference in their ages has not mattered in the least.

“The trouble with so many married couples,” said Abbe, “is that they go dancing before marriage, but they don’t dance together after marriage. I believe they ought to go on the dance floor as much as they can. Cugie and I are always seeking out places where we can dance together and forget about everything else.

“You can’t quarrel when you’re dancing. And if you have been out of tune, you soon find yourself in harmony again.”

Cugie chuckled. “When I was at the Waldorf in New York recently,” he said, “someone said my music must have been responsible for a lot of marriages — but one fellow added that it was also responsible for a lot of alimony!”

Barcelona-born Cugat and American-Spanish Abbe Lane might not quite add up to A to Z of show business, but at any rate they represent from A (for Abbe) to X (for Xavier), and that’s quite a lot. Theirs is an ideal combination, with Cugat providing the music and his wife providing the visual and vocal appeal.

The last time Cugie worked in this country was as a violinist with the Vincent Lopez orchestra at the old Kit-Kat Club in London, in the early 1930’s.

“I was learning rhythm with one or two bands before setting up on my own,” he explained. “Up to then, I was a classical musician.”

When he did strike out, he set a new pattern in dancing by forming the first big-time dancing orchestra in America and popularising Latin-American music.

He would have been back to London more often — but for our quarantine laws. His love of chihuahua dogs is well-known.

When I saw them, both he and Abbe were anxious to get back to Paris, where they left their chihuahua, Pasquilina, and their French poodle, Susie. “We hate to go anywhere without them,” Abbe said.

The association of Cugat and chihuahuas began when he made his first film, Holiday in Mexico, and carried one around with him.

“The chihuahua received far more fan mail than I did,” he said. “Since then, I have had one with me in all my 14 films, and the same thing has happened every time.”

Tony Martin, the singer who married the dancer, is always more willing to talk about his wife and two sons than about anything else.

He and Cyd Charisse, of course, work independently, “but TV is bringing us together,” he told me. “We are going to co-star for the first time in a spectacular.”

Tony has been a singing star for nearly 25 years — with the accent on the word “singing,” using a good, straight, no-gimmick voice.

“A fellow asked me for my advice on how to keep going as long as I have,” he said. “I told him: ‘Sing good, make a series of come-backs, and don’t let people down.’

“Those of us who have managed to stay at the top for a long time — Bing Crosby, Frank Sinatra, Perry Como and Frankie Laine — have two things in common. We’re singers, and we always try to give a good show.

“Good singing will always outlast freak performances. When I think back on the equivalents of today’s rock n’ rollers 20 years ago, I can’t even remember their names. They’ve disappeared completely.

“I might never have caused quite such delirious fan-worship, but I am earning more today than at any time in my life.”

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THE “shower” of Hut 29 will fall in on parade again on Tuesday, when Granada’s The Army Game returns. But with a difference that is not really a difference. It comes back with two of the favourites from the early days — William Hartnell as Company-Sgt-Major Bullimore, and Geoffrey Sumner as Major Upshot-Bagley.

Geoffrey Sumner’s return also means the return of Major Upshot-Bagley’s pigs. Harry Fowler continues as “Flogger” Hoskins, Ted Lune soldiers on as Pte Bone, and Mario Fabrizi as Merryweather. But Alfie Bass has left the Army and Dick Emery replaces him.

“Wait until I get my hands on that ‘shower’!” exclaimed Bill Hartnell, who takes over from Bill Fraser. Fraser, with Alfie Bass, begins a civvy street series. “They’ve been getting off too lightly. More discipline, that’s what they need. Things are going to change when I get back!” He was obviously pleased to be returning to the show. “But when it was suggested, my first reaction was that it wouldn’t be a good idea,” he admitted. “It just wouldn’t be the same unless I was teamed with Geoffrey Sumner again.

“But Peter Eton, the producer, told me that he was negotiating with Geoffrey Sumner, which sounded too good to be true. The only reason for Sumner leaving the cast was that he couldn’t cope with a weekly programme.

“So I didn’t really expect he would be able to do it this time. But he said he could fit it in as the programme was on Tuesdays. I was delighted, and that’s why I am back. There’d have been no sense in trying to do it with anyone else. Geoffrey and I originated the roles, built them up and understood one another.

“We can work together. Our timing fits. I can’t stand changes, anyway. I suppose it’s because I have an organised brain. I’m a disciplinarian to myself.”

Geoffrey Sumner explained: “There will be no change in our characters, but we are not going to attempt to carry on exactly where we left off. We are allowing for the fact that there has been a gap of three years. The impression we hope to give is that Bullimore and I have been together somewhere else, and now we’ve come across a new ‘shower,’ heaven help ’em!

“The pigs? Of course. Upshot-Bagley wouldn’t go anywhere without his pigs.”

In fact, Geoffrey Sumner, who lives on a 15-acre farm in Surrey, is a pig-keeper and pig-lover. At various periods he has had herds of 150 or more, and there is never a time when his farm is without them.

“So it isn’t a gag in The Army Game,” he assured me. “I like pigs. People make fun of them, but they are the most intelligent of all farm animals. They are also the cleanest.

“But the trouble with pigs is that they regard themselves as your equal and won’t be bossed. That’s why you never see them in The Army Game.

“We tried it at the beginning of the series when we had a real Rosie in the studios. It was disastrous. She took complete charge of the proceedings, refused to stand still, ignored the camera — except to try to eat the pedestal — and generally ran riot.

“Fortunately, we introduced Rosie when we were doing a ‘dry run,’ so, by the time we got to transmission. Rosie was heard but not seen ”

Alas, the pig on which Rosie was based — she was one of Geoffrey Sumner’s herd, of course — is dead. But one of her progeny won first prize last year in the National Farmers’ Union field contest.

Geoffrey Sumner was in the Army during the war years and reached the rank of colonel. Did he have a Sergeant-Major like Bullimore?

“Fortunately not,” he said with a chuckle, and introduced me to his personal assistant, a tall, brown-haired, green-eyed girl named Peggy Warrington. “She was my real Army admin sergeant,” he said.

“I chose her because I was fascinated by the way she wore her cap. It was perched right on the top of her head. Made her look positively Edwardian. An excellent admin sergeant she turned out to be, too.”

Soon after the war, when he was looking for a personal assistant, Geoffrey Sumner sought out Peggy Warrington. She has been with him since.

The most important newcomer to the cast, Dick Emery, is not exactly a stranger to the “shower ” He has been in previous Army Game productions, playing various parts.

Bill Hartnell summed up: “I think we’re going to be a happy family. We’ll certainly have a jolly good go at it.”

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